(Insert two screenshots)
Our film very closely resembles these two instances, but at two different times. The sense of dramatic irony is created as it's revealed to the audience that Chelsea has dark and murderous intentions with her boyfriend after a close up shows her mysterious friend slamming a knife on the desk before her date despite the boyfriend having no knowledge of what is going to happen to him. Soon after this, two eyeline matches show the couple in the car talking to each other. This is where the audience's worry and fear reach its peak as the girlfriend goes from a complete standstill, gazing into his, to a swift and emotionless stab to the face with the knife. The audio and video cut to out just before the knife makes contact with the boyfriend, leaving the audience to wonder if he survived, but... it's not likely.
(Insert two screenshots)
In terms of how our film challenges conventions, it really has only one instance. Now normally these kind of films always keep the audience on edge with music and camera angles to keep the suspense up. However, our film doesnt do that. Instead, it keeps changing back and forth straight from a light-hearted tone to dark and scary moment when something bad is shown on the screen, sometimes through parallel editing. We did this mainly because we want those few moments of pure fear to be the most effective, therefore, by instilling a false sense of comfort in the audience right before the scare is a sure-fire way to do this.